This video shows a brief look at my thought process as a I draw a short, 30 minute figure study. The reference is from a New Masters Academy timed figure drawing session.
If you want to read a more in-depth text version, I wrote a full breakdown for this drawing and a head drawing in this month’s Private School Newsletter. Subscribers also got access to a high res handouts to download and study.
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Skin color is one of my favorite things to paint. It’s also one of the most requested topics I’ve encountered. The burning question I hear over and over again from students, friends and artists is: “How can I make a good skin color palette?”
Many artists and students struggle with skin color and rightfully so. Color is an incredibly complex animal that is difficult to control and must be handled with care. This is especially true when trying to paint skin color that feels “real”. Even though color is tough, painting skin can be a lot of fun if you have the right information and the right strategies.
These 5 tips are my thoughts and ideas on the topic of skin color. These tips and strategies I’ve learned through hard earned experience and years of intensive study on color, along with hundreds of hours of painting practice.
Instead of giving you formulas or pre-made skin color palettes, my goal is to teach you how to see color and then show you a process for making your own skin color palette for any situation.
There are 3 main parts to this article. In Part 1, I’ll examine the properties of skin color, or at least how I see skin color at this stage in my painting career. This section will examine what I see when I observe skin and how I simplify the complexity of skin color.
In Part 2, I’ll explore the 5 Tips for mixing and painting better skin color. These are the techniques and strategies that I personally use when I paint.
In Part 3, there are 2 detailed step-by-step painting demonstrations. The first is a study of light skinned male. The second demo is of a dark skinned african female.
A condensed video form of this article , including the first painting demonstration is below.
The second, 1 hour painting demonstration of an African female portrait is available for free on my Private School newsletter page. See image below for the finished painting demonstration.
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If you want a more detailed breakdown of the 5 Tips and both painting demos, scroll down to read the full article…
PART1 – Properties of Skin Color
Property #1 – Red, Yellow, Blue
There is no such thing as a “skin” color. Skin color is essentially a combination of all 3 primaries: red, yellow and blue. That’s right. Red plus yellow plus blue. Sounds obvious and oversimplified, but allow me to elaborate.
The NEW official launch date for the full version of The Laws of Color Vol. 1 will be Monday, Nov. 9th, 2015. My apologies for the delay, but I wanted to pack in even more content in the Photoshop edition. This is going to be a very special course and will be absolutely worth the wait.
Until the launch, take this sneak peak at the oil painting demo in the video below:
Below are some screen caps from the course in both editions, traditional oil painting and Photoshop.
If you haven’t already, make sure to sign up for the free newsletter and get your invite to the private pre-launch. Subscribers will be eligible to get the course on Friday, Nov. 6th, 3 days before the official launch.
To get your advance copy, simply enter your email below and click the blue button to subscribe.
I’m proud to present this new and exciting course. Shading Techniques in Photoshop is simply the BEST course available on shading and rendering in Photoshop.
Students will learn how to shade and render their drawings using professional level techniques and strategies. Students will be guided through the shading process step by step by an expert instructor (that’s me :)). Along with the lectures and instructor demonstration, there are powerful handouts to help the students review as they go through the course.
The course has over 2 hours(!) of video at 1080p HD! There’s also pdf handouts and other bonus items. This course is a tremendous value for the low price. Take your drawing and painting to the next level, get Shading Techniques and learn how to shade and render today!
In this final episode of the Concept Art tutorial series we add the finishing touches to our creature concept. We will paint the last bit of polish and detail and also create a simple background and make our concept presentable. We take the concept to the final stage so it can be handed off to production or as a marketing illustration. Narrated by the artist.
In part 5 of the Concept Art Tutorial series, we add texture. Using a combination of photographs, photo manipulation, and Photoshop blending modes we seamlessly add texture to our creature design. This technique will quickly add a nice layer of texture, detail and color variation. Narrated by the artist.
In part 4 of the Concept Art Tutorial series we add glazes of color to our tonal underpainting. We’ll use the color theory and strategies from the last video to create depth, model form and bring our creature design to life. This video demonstrates how to use blending modes and layers to add a transparent wash, or glaze, of color while preserving the tones and values established in the previous tutorial videos. Narrated by the artist.
This is the 3rd part of the Concept Art Tutorial series. The topic is Color. How it works, and an introduction to Color Theory. We’ll also discuss some strategies we can use with color to model form, add interest and life to our concept art and digital paintings. Narrated by the artist.