Tag Archives: head drawing

Russian Masters Study: Repin and Fechin Drawing

header_repin-fechin-study by Chris Legaspi

In late February, 2015 I began a journey to study Russian Academic drawing. I chose 2 of the most well known masters of the art, Ilya Repin and Nicolai Fechin.  Repin was a 19th century painter who helped to establish a tradition of realist, academic art in Russia and brought Russian art into the mainstream of European and western culture.  Fechin was a painter and sculptor who  moved to America where he became an admired and celebrated artist.

My reason or purpose for studying these Russian masters was to satisfy a curiosity and of course, for the mileage. What I wanted to know was how these men thought and worked. ‘How did they approach head drawing?’ and ‘how did they execute their drawings?’ were the questions I wanted answers to.

In the next 5 weeks, I studied their head drawings almost every day. During that time, I was able to record 2 of the studies (see video below):

To watch Part 2, the study of the reclining female, sign up for my free newsletter below.  Simply enter your email below and click the blue button to get access:

For a detailed breakdown of the month long (36 days!) journey,  read below.

Feb 22, 2015 – Day 1

repin_study01 by Chris Legaspi

I begin this journey by looking at Repin. I have been a fan of Repin for a long, long time. The West Coast / Reilly tradition that I inherited is heavily influenced by Russian academic drawing. So in a way, I was paying homage to the source of everything I had learned and come to love about realist drawing.

At first my goal was simply to observe and understand Repin’s technique and look. I love the way Russian artists draw heads and figures and how they approach form, edges and rendering. They’re use of straights and clearly defined planes is a hallmark of Russian academic drawing and that’s exactly the look I wanted to perfect in my own work.

As you can see in the image above, the first drawing on the left turned out o.k. The drawing on the right was not as successful in my opinion. The lesson I learned here was that it will be extremely difficult to reproduce the effects Repin achieved in his charcoal drawing by using ball point pen which is my current favorite medium.

To stay true to the master, it’s best to use the original medium. But I made a judgement call in the moment and on this day I paid the price for that decision.

Feb 24th – Getting Comfortable

repin_study02 by Chris Legaspi

As a look study, I feel these were successful. The drawings feel close  to the chiseled and hatched look I wanted.  Although the drawings are emotionally flat and lifeless compared to the originals, I was starting to feel comfortable using the pen to match Repin’s charcoal effects.

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Planes of the Head Lecture Notes & Critique

This is the handout from the ‘Planes of the Head’ lecture from the Live Concept Art Webinar. There’s also a critique of a student’s homework below.  The assignment was to sculpt the simplified ‘Planar Model’. Thank you for all the great homework submissions.  To join the live webinar or view past shows, visit the webinar page. Our next meeting will be this Tuesday, 11/13/12 @ 6:30pm.

Simplified Planar Model.

Critique of a student’s homework submission. Great job on the sculpt!