I’m happy to announce my first show in Los Angeles. “Our Town” is dedicated to the Arts District and Little Tokyo district of Downtown Los Angeles. I will be showing oils, watercolors and having a sketchbook available for sale. All original, framed art. Also 40% of proceeds go to local non-profits that benefit the arts in Los Angeles. Sake will also be provided. Can’t beat that :).
Opening reception is Thursday, 7pm-10pm at District Gallery. Full details below:
When: Thursday, Dec. 11, 7pm – 10pm
Where: District Gallery, 740 E. Third St., L.A., 90013
Click here for map
Art Center is one of the top art schools in the country. They are primarily a design school, but they have tremendous Fine Art, Illustration and Entertainment Art programs.
Students have the opportunity to draw and paint a live model at the many figure drawing and painting workshops they organize. These workshops are often led by a professional artist in the industry. The paintings below are from 2 previous workshops I ran this month at Art Center.
“All Prima 10/18/14″, 8″x10”, oil on canvas. From the Saturday night painting workshop, October 18th, 2014.
“John Whipple Alla-prima”, 8″x10″, oil on canvas. From the Saturday Head Painting workshop, October 4th, 2014.
I want to thank Charles Hu (founder of 3 Kicks Art Sudio) for the opportunity. I look forward to teaching more and working with students at Art Center.
The purpose of this challenge was to copy Animated movie stills for 30 consecutive days. This challenge was completed during the same time period as the 30 day plein-air challenge. Needless to say, this was a month of tremendous growth.
The intent behind this exercise was to study the color, design and composition from two of my favorite Animated movies, Kung Fu Panda and Puss in Boots. Of course I’m a little biased to Puss in Boots because of Nathan Fowkes, who was the lead color stylist for the film, and was also my painting teacher. In fact, I have to credit Nathan for inspiring me to do this challenge. He always credits his color skills to hours of consistent master studies.
I’ve also described my thought processes, color choices, material choices and general tips below for those who may want to take this challenge themselves. Scroll down to read more about the insights and lessons learned during this month of intensive color studies.
Last month, I was able to oil paint at least once a day for 30 consecutive days. Once I knew I had the right resources and systems to be able to paint everyday, I was confident that I could take on a 30 day plein-air (outdoor) oil painting challenge. The image below is a snapshot of my outdoor paintings from the last 30 days.
I also show my outdoor painting set-up, and how I was able to complete the challenge. If you want to learn how to do it for yourself, scroll down to read more.
“30 day plein-air challenge”, began Sep. 11th, 2012.
– How to Take the 30-day Plein-air Challenge –
Plein-air and landscape painting in oils is not easy. The challenges of the medium, travel time and unfavorable weather conditions can make outdoor painting even more difficult. Despite the effort, the benefits of being out in nature and gaining expertise in color is invaluable. In fact, it was this need and desire to improve my color skills that motivated me to commit to painting everyday. To begin the challenge, I had to first assemble the right tools.